This phenomenological study explores music therapists’ experiences working with women in the military. Findings highlight gender-based discrimination, the importance of advocacy and empowerment, and the influence of military culture on therapy. The research underscores a critical gap in the literature and calls for expanded, women-focused music therapy research.

This thesis develops a vibro-tactile rhythmic-haptic cueing system based on Afro-diasporic polyrhythms to support gait improvement in neurodegenerative conditions. Using foot-based sensors and calibrated vibrations, the system increased cadence by 2–3%. The work challenges historical pathologizing of Black music and reframes it as therapeutic, culturally grounded neurotechnology.