This research examines how cultural narratives of “monsters” shape legal perceptions of marginalized groups, particularly queer people of color. Using a utopian framework, it proposes equity-based reforms to the criminal justice system, addressing the intersection of race and sexuality and amplifying underrepresented voices in legal scholarship and social justice discourse.

This research argues that traditional self-sacrificing hero narratives no longer fit a complex, modern world. Using an animated screenplay as a case study, it proposes a metamodern approach centered on collective liberation. The work blends critical theory and creative practice to show how contemporary storytelling can inspire collaboration rather than individual heroism.

This thesis uses theatrical horror to confront the “superwoman schema” that discourages Black women from seeking mental health care. By breaking theatrical contracts to induce unpredictability and empathy, the work mirrors the societal rupture Black women face when pursuing therapy, motivating audiences toward understanding and systemic change.