This thesis uses theatrical horror to confront the “superwoman schema” that discourages Black women from seeking mental health care. By breaking theatrical contracts to induce unpredictability and empathy, the work mirrors the societal rupture Black women face when pursuing therapy, motivating audiences toward understanding and systemic change.

This research examines how Zambian women engage with a feminist Facebook page to challenge patriarchy online while navigating stigma offline. It reveals strategic identity negotiation, the use of social media for activism, and the difficulties of feminist expression in a conservative society, highlighting how digital spaces enable resistance despite offline constraints.